{"id":1838,"date":"2023-02-26T16:51:32","date_gmt":"2023-02-26T15:51:32","guid":{"rendered":"https:\/\/fabricehuggler.com\/?page_id=1838"},"modified":"2023-02-26T16:55:24","modified_gmt":"2023-02-26T15:55:24","slug":"salome-presse","status":"publish","type":"page","link":"https:\/\/fabricehuggler.com\/?page_id=1838","title":{"rendered":"Salom\u00e9 &#8211; Presse"},"content":{"rendered":"\n<div class=\"inherit-container-width wp-block-group has-black-color has-white-background-color has-text-color has-background is-layout-constrained wp-container-core-group-is-layout-a52671cf wp-block-group-is-layout-constrained\" style=\"padding-top:0;padding-right:0;padding-bottom:0;padding-left:0\">\n<div class=\"inherit-container-width wp-block-group has-black-color has-white-background-color has-text-color has-background is-layout-constrained wp-container-core-group-is-layout-f98b228d wp-block-group-is-layout-constrained\" style=\"padding-top:var(--wp--preset--spacing--20);padding-right:var(--wp--preset--spacing--20);padding-bottom:var(--wp--preset--spacing--20);padding-left:var(--wp--preset--spacing--20)\">\n<p class=\"has-black-color has-white-background-color has-text-color has-background has-link-color wp-elements-1 wp-block-paragraph\" style=\"margin-top:var(--wp--preset--spacing--60);margin-right:var(--wp--preset--spacing--60);margin-bottom:var(--wp--preset--spacing--60);margin-left:var(--wp--preset--spacing--60);padding-top:0;padding-right:0;padding-bottom:0;padding-left:0\">L&rsquo;Express &#8211; 13 juin 1998 <strong>\u00abBravo, la Salom\u00e9 donn\u00e9e hier soir en premi\u00e8re va au-del\u00e0 de ses promesses. Cette cr\u00e9ation, mont\u00e9e avec autant de concentration que de passion, captive par ses parfums mal\u00e9fiques et son \u00e9l\u00e9gante d\u00e9cadence. L&rsquo;atmosph\u00e8re un peu kitsch, soigneusement accord\u00e9e aux extases du texte d&rsquo;Oscar Wilde, enveloppe et porte les six com\u00e9diens qui atteignent \u00e0 une admirable unit\u00e9&#8230; Le metteur en sc\u00e8ne Fabrice Huggler a mis\u00e9 sur une transposition th\u00e9\u00e2trale forte et affirm\u00e9e&#8230; Le d\u00e9fi d&rsquo;un tel sujet, d&rsquo;une r\u00e9duction \u00e0 six personnages d&rsquo;une pi\u00e8ce qui en comportait une vingtaine \u00e9tait risqu\u00e9. C&rsquo;est une r\u00e9ussite.\u00bb <\/strong>LCA<\/p>\n\n\n\n<p class=\"has-black-color has-white-background-color has-text-color has-background has-link-color wp-elements-2 wp-block-paragraph\" style=\"margin-top:var(--wp--preset--spacing--60);margin-right:var(--wp--preset--spacing--60);margin-bottom:var(--wp--preset--spacing--60);margin-left:var(--wp--preset--spacing--60);padding-top:0;padding-right:0;padding-bottom:0;padding-left:0\">L&rsquo;Impartial &#8211; 19 mai 1998 <strong>\u00abSalom\u00e9 d&rsquo;Oscar Wilde, mise en sc\u00e8ne Fabrice Huggler, fait l&rsquo;\u00e9v\u00e9nement&#8230; L&rsquo;excellente musique de sc\u00e8ne de Claude Berset parcourt le texte de bout en bout. Sans redondance, elle marque les contours les plus saillants du drame. Une fois l&rsquo;app\u00e9tit musical raisonn\u00e9, l&rsquo;oeil peut se d\u00e9lecter du d\u00e9cor offert par Daniel Culebras, qui inclut \u00e0 la sc\u00e9nographie le piano et le violon. On rel\u00e8ve la belle tenue de la distribution.\u00bb <\/strong>Denise de Ceuninck<\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>L&rsquo;Express &#8211; 13 juin 1998 \u00abBravo, la Salom\u00e9 donn\u00e9e hier soir en premi\u00e8re va au-del\u00e0 de ses promesses. Cette cr\u00e9ation, mont\u00e9e avec autant de concentration que de passion, captive par ses parfums mal\u00e9fiques et son \u00e9l\u00e9gante d\u00e9cadence. L&rsquo;atmosph\u00e8re un peu kitsch, soigneusement accord\u00e9e aux extases du texte d&rsquo;Oscar Wilde, enveloppe et porte les six com\u00e9diens &hellip;<\/p>\n<p class=\"read-more\"> <a class=\"\" href=\"https:\/\/fabricehuggler.com\/?page_id=1838\"> <span class=\"screen-reader-text\">Salom\u00e9 &#8211; Presse<\/span> Lire la suite\u00a0\u00bb<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"default","ast-global-header-display":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","footnotes":""},"class_list":["post-1838","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/fabricehuggler.com\/index.php?rest_route=\/wp\/v2\/pages\/1838","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fabricehuggler.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/fabricehuggler.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/fabricehuggler.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/fabricehuggler.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1838"}],"version-history":[{"count":3,"href":"https:\/\/fabricehuggler.com\/index.php?rest_route=\/wp\/v2\/pages\/1838\/revisions"}],"predecessor-version":[{"id":1845,"href":"https:\/\/fabricehuggler.com\/index.php?rest_route=\/wp\/v2\/pages\/1838\/revisions\/1845"}],"wp:attachment":[{"href":"https:\/\/fabricehuggler.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1838"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}