{"id":715,"date":"2023-02-10T17:04:26","date_gmt":"2023-02-10T16:04:26","guid":{"rendered":"https:\/\/fabricehuggler.com\/?page_id=715"},"modified":"2023-02-10T17:21:32","modified_gmt":"2023-02-10T16:21:32","slug":"madame-de-presse","status":"publish","type":"page","link":"https:\/\/fabricehuggler.com\/?page_id=715","title":{"rendered":"Madame De &#8211; Presse"},"content":{"rendered":"\n<div class=\"inherit-container-width wp-block-group has-black-color has-white-background-color has-text-color has-background is-layout-constrained wp-container-core-group-is-layout-a52671cf wp-block-group-is-layout-constrained\" style=\"padding-top:0;padding-right:0;padding-bottom:0;padding-left:0\">\n<p class=\"has-black-color has-white-background-color has-text-color has-background has-link-color wp-elements-1 wp-block-paragraph\" style=\"margin-top:var(--wp--preset--spacing--60);margin-right:var(--wp--preset--spacing--60);margin-bottom:var(--wp--preset--spacing--60);margin-left:var(--wp--preset--spacing--60);padding-top:0;padding-right:0;padding-bottom:0;padding-left:0\"><strong>Madame De : Emancipation \u00e0 travers l\u2019histoire du v\u00eatement<\/strong><\/p>\n\n\n\n<p class=\"has-black-color has-text-color has-link-color wp-elements-2 wp-block-paragraph\" style=\"margin-top:var(--wp--preset--spacing--60);margin-right:var(--wp--preset--spacing--60);margin-bottom:var(--wp--preset--spacing--60);margin-left:var(--wp--preset--spacing--60);padding-top:0;padding-right:0;padding-bottom:0;padding-left:0\">Le corps nu \u2013 seul son sexe est recouvert d\u2019un linceul blanc \u2013 de Rachel Gordy, est couch\u00e9 sur ce qui semble \u00eatre un autel. Autour d\u2019elle gravitent trois personnes : un musicien et sa guitare (St\u00e9phane Augsburger), un danseur (Fabio Bergamaschi) et la couturi\u00e8re qui a con\u00e7u la robe (Valentine Savary). Ces derniers l\u2019aideront \u00e0 se v\u00eatir de la robe durant tout le spectacle. Car c\u2019est bien la robe qui demeure l\u2019h\u00e9ro\u00efne de ce spectacle, sublim\u00e9e par l\u2019excellente Rachel Gordy. Autour de cette jolie troupe, le public est dispos\u00e9 de fa\u00e7on quadri frontale, si bien que les regards se posent sur la sc\u00e8ne et le corps sous tous les angles de vue&#8230;<\/p>\n\n\n\n<p class=\"has-black-color has-white-background-color has-text-color has-background has-link-color wp-elements-3 wp-block-paragraph\" style=\"margin-top:var(--wp--preset--spacing--60);margin-right:var(--wp--preset--spacing--60);margin-bottom:var(--wp--preset--spacing--60);margin-left:var(--wp--preset--spacing--60);padding-top:0;padding-right:0;padding-bottom:0;padding-left:0\"><em>Madame De<\/em>, c\u2019est donc un spectacle plein de po\u00e9sie, un peu magique aussi. Un spectacle dans lequel tout contribue \u00e0 nous raconter l\u2019\u00e9volution du v\u00eatement f\u00e9minin et ce qu\u2019elle implique. C\u2019est un spectacle dans lequel une grande partie de l\u2019interpr\u00e9tation est laiss\u00e9e au spectateur. Mais c\u2019est surtout un spectacle n\u00e9cessaire, aujourd\u2019hui, qui permet de comprendre, sans jugement, sans revendication, que l\u2019id\u00e9al \u00e9galitaire est encore loin d\u2019\u00eatre atteint et quelles en sont certaines raisons.  (La P\u00e9pini\u00e8re, 20 septembre 2020, Fabien Imhof)<\/p>\n\n\n\n<p class=\"has-black-color has-white-background-color has-text-color has-background wp-block-paragraph\" style=\"margin-top:var(--wp--preset--spacing--60);margin-right:var(--wp--preset--spacing--60);margin-bottom:var(--wp--preset--spacing--60);margin-left:var(--wp--preset--spacing--60);padding-top:0;padding-right:0;padding-bottom:0;padding-left:0\">L&rsquo;article complet se trouve dans le menu \u00ab\u00a0Presse\u00a0\u00bb<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Madame De : Emancipation \u00e0 travers l\u2019histoire du v\u00eatement Le corps nu \u2013 seul son sexe est recouvert d\u2019un linceul blanc \u2013 de Rachel Gordy, est couch\u00e9 sur ce qui semble \u00eatre un autel. Autour d\u2019elle gravitent trois personnes : un musicien et sa guitare (St\u00e9phane Augsburger), un danseur (Fabio Bergamaschi) et la couturi\u00e8re qui &hellip;<\/p>\n<p class=\"read-more\"> <a class=\"\" href=\"https:\/\/fabricehuggler.com\/?page_id=715\"> <span class=\"screen-reader-text\">Madame De &#8211; Presse<\/span> Lire la suite\u00a0\u00bb<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"default","ast-global-header-display":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","footnotes":""},"class_list":["post-715","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/fabricehuggler.com\/index.php?rest_route=\/wp\/v2\/pages\/715","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fabricehuggler.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/fabricehuggler.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/fabricehuggler.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/fabricehuggler.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=715"}],"version-history":[{"count":4,"href":"https:\/\/fabricehuggler.com\/index.php?rest_route=\/wp\/v2\/pages\/715\/revisions"}],"predecessor-version":[{"id":721,"href":"https:\/\/fabricehuggler.com\/index.php?rest_route=\/wp\/v2\/pages\/715\/revisions\/721"}],"wp:attachment":[{"href":"https:\/\/fabricehuggler.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=715"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}